"On the first night of Artscape, Full Circle Dance Company filled Theatre Project with an energetic and broad range of modern dance works… a combination of technical strength and tremendous passion.”
—Stacie Lanier, Radar

“Have you ever seen dance that moves you? Not just in your seat--we're talking about moving your soul and informing your life. If not, then you've never seen Full Circle in action...Whenever you see this multiracial company, composed of veteran dancers and talented newcomers, it makes you feel like you're seeing the full circle of life danced onstage.”
—CityPaper, Best of Baltimore Issue 2006


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About Full Circle Dance Company

Full Circle Dance Company is a multiethnic professional ensemble that performs exciting choreography from a variety of modern dance traditions. Drawing on the diverse backgrounds of its dancers, the company works in a collaborative spirit to bring technically stunning and emotionally challenging dance to a wide audience.

The company makes special efforts to collaborate with artists from other disciplines and to reach beyond traditional audiences for dance. In October 2004, Full Circle Dance Company presented an evening of dance at the Baltimore Museum of Art called The Dancers and Writers Project. At this groundbreaking event, professional writers, young people, and members of the general public joined together in writing down their thoughts about the action onstage. This interdisciplinary project, which included a free workshop for young dancers and writers, was named “Critic’s Choice” for dance by the Baltimore City Paper.

In 2005, Full Circle presented Motherhood, Memories, and Movement, and evening of new and repertory works exploring themes of motherhood. Based upon community workshops with nursing home residents and expectant mothers, this event earned Full Circle a Best Dance Company 2006 award from Baltimore City Paper.

Full Circle Dance Company has performed locally at the Hippodrome Theater hosted by Dance Baltimore, at Artscape, at Theatre Project, at the Baltimore Museum of Art Exhibit Expressions series, and by invitation in the Maryland Council of Dance Festival Concert. The company has also performed by invitation at Ohio University in Athens, Ohio, at Wesleyan University in Middletown, Connecticut, and the Broadway Dance Center’s Choreographers’ Performance Outlet in New York.

Full Circle Dance Company is in residence at the Morton Street Dance Center. The important partnership between school and company creates opportunities for professional dancers to share their knowledge with young dancers in training.

Full Circle Dance Company, c/o Morton Street Dance Center,
3600 Clipper Mill Road, Suite 108, Baltimore, MD 21211

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copyright © 2008 DevArashi LLC

Biographies::Links::Calendar of Events::Picture Gallery

Return to the Home Page View Staff Biographies Visit the Writers ProjectView the Writers Project of 10/09 View  MOTHERHOOD, MEMORIES, AND MOVEMENT See upcoming Events for Full Circle Dance Visit the Full Circle Dance page of Web Links Visit the Full Circle Dance Gallery of Photos

 

Press Release for Borders Uncrossed

Sacred Body
In Response to Religion

Religion provides solace and inspiration, motivates charity, and unites
diverse communities. It also fuels bloody battles across the globe, provokes
debate over the rights of women and gay people, and wields hidden power over the
political process. Religion’s complex history of comfort and conflict
stretches across the millennia, as old as human culture itself.

On February 16, local and visiting choreographers will bring together their
own visions of the human spiritual impulse. Baltimore’s Full Circle Dance
Company presents Sacred Body: In Response to Religion, an evening of inspired
and inspirational new works that are the result of a yearlong project exploring
religion, faith, and culture. Weaving the personal stories and spiritual
questions of members of the community into an interdisciplinary sensory
experience, Sacred Body is designed to engage the souls, minds, eyes, ears, and even
hands of the participating audience.

Drawing on the powerful postures of prayer found in different religions from
around the world, Ohio-based choreographer Travis Gatling has created a work
that is at once personal and universal. Filled with both appreciation and
questioning of his own religious upbringing, it is a visually stunning symbolic
representation of one person’s spiritual journey.
Baltimore choreographer Erica Feriozzi’s intimate, serenely beautiful
choreography draws on Buddhist and Christian source material. She invites the
audience to experience the stillness and peace that are central to several faiths.

Baltimore physician/choreographer Misty Borst’s work offers an alternative
paradigm founded in science. Her odd and quirky movements make vivid the
marvels of the communities of life, often invisible, that surround us.
Full Circle Dance Company director Donna Jacobs’s narrative, historical work
explores the central place of the Bible and Christianity in the African
American journey from slavery to citizenship. It is a story of suffering and
endurance, of faith and strength that will both move and educate.

In addition to these premieres, Sacred Body will feature a special
collaborative work that incorporates ideas about religion and spirituality contributed
through community discussions. The performance will also include guest
artists and Full Circle favorites that contribute to an understanding of the
diversity of human faith experiences. Donna Jacobs’s Worthy, performed to stunning
live gospel music by Alton Scarborough, is an uplifting expression of
praise. Special guest company Native America’s People will give the audience a
sense of how dance and spirituality are linked in Native American culture.

The Morton Street Foundation, Inc.
And Full Circle Dance Company Present
Sacred Body: In Response to Religion
February 16 at 7:00pm
Baltimore Museum of Art
10 Art Museum Drive, Baltimore
Tickets $15
For tickets call 410-235-9003(credit cards accepted by phone)
Cash or check only at the door

Photo credit: Erica Feriozzi

*This project is funded in part by the Maryland State Arts Council and by
Mayor Sheila Dixon and the Baltimore Office of Promotion & the Arts.